Jessie Ann Owens writes:I am fortunate to be a visiting professor at Villa I Tatti this semester, and to rediscover the beauty of the place, nestled in the hills outside of Florence, the warmth of the community of scholars and, above all, the unrivaled resources of the Gordon and Elizabeth Morrill Music Library. I am finding very valuable connections, for example, with several of the literary scholars who are here this year.
Bernard Berenson at I Tatti |
The new director of Villa I Tatti, Alina Payne, a professor of architectural history from Harvard University, is continuing to expand the intellectual work of I Tatti from its traditional base in Italian and European studies to explore connections worldwide. The current call for applications specifies “any aspect of the Italian Renaissance broadly understood historically to include the period from the 14th to the 17th century and geographically to include transnational dialogues between Italy and other cultures (e.g. Latin American, Mediterranean, African, Asian etc.).”
The deadline for applying to the long-term (full year) fellowship is October 15. This fellowship is aimed at scholars in the earlier stages of their careers (up to ten years since the receipt of the Ph.D.). But three new short-term fellowships have recently been announced as well, with a deadline of December 14. If you have questions about applying, write to info@itatti.harvard.edu. Given the very significant investment in music that the Morrills’s generosity has made possible, Villa I Tatti is committed to a strong presence for musicology within the interdisciplinary setting. I hope you will consider applying.
Jessie Ann Owens is past president of the American Musicological Society and the Renaissance Society of America. Professor of Music at the University of California, Davis, she is co-editing with John Milsom a new edition of Thomas Morley’s A Plaine and Easie Introduction to Practicall Musicke (1597).